Iris Painting Process 1.1 Patterns of Color and BrushWork
Part III - Painting: My Dancing Brush - Iris Abstracted
•
14m
IRIS –PAINTING PROCESS 1.1 PATTERNS OF COLOR AND BRUSHWORK
This color blue is delicious. It talks to me.
Listen to that still small voice, trust, take the first impulse and run with it. Be patient and see where it leads. Be proactive versus reactive. Mind positive and in a state of gratitude for what I have in the painting. This style of work you are going on a journey, an adventure. Unexpected surprises along with way. That is what makes it exciting.
Painting patterns and spaces in-between, this style of post-impressionism is how I am using large patterns. I like the color combinations and seeing how they correspond to each other.
Here I use a brushwork starting with thicker paint to allow for a modulation of paint to flow through different areas that enhance the modulations of line drawing in the work.
Look for patterns of rhythmic energy with the pushing and pulling of positives and negatives against the patterns while drawing in space.
When it feels right, then I put the color in. Holding the brush not too tight, I call it grasping the butterfly. Transmit through the brush caressing the canvas with your signature strokes. Amplify what you have naturally using north, south, east, and west brushstrokes; with choreographically swirling dynamic strokes.
Up Next in Part III - Painting: My Dancing Brush - Iris Abstracted
-
Iris Painting Process 1.2 Building Un...
Dynamic painting in an abstracted and abstract way is the hallmark of post-impressionistic painting. Continuing in this way the artist has a whole different set of drivers. This is the gateway to modern art; here one paints intuitively. One is expressing the self through color. Color is not just ...
-
Iris Painting Process 1.3 The Realm o...
IRIS –PAINTING PROCESS 1.3 THE REALM OF COLOR
Here I am developing the flat design. Post-impressionist works are about color and expression within the strokes thus communicating feeling. This Iris project seemed right to express itself in a post-impressionist way – symbolically, abstractly, and ...