2. Direct Approach Lyrical Layers: Demo Watch & Listen
Part III - Painting My Dancing Brush - Direct Approach
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15m
Video - Direct Approach Introduction – 2 Methods
A. Direct Approach – with a Lyrical Sketch and Underdrawing
• Drawing – rhythmic energy
• Vine charcoals has the feel of a brush. A Lyrical wireframe.
• Wiped it down, Padding Method
• Oil color on top, adding more colors progress steadily responding from the previous colors, lyrical contrasting interacting of brushstrokes and colors creates my jazz. This is abstract impressionism.
• Finding my way, improvisations now action take place.
• Colors build and inspire one another.
• Use a variety of brushstrokes, some colors are stained, some rest on the surface or some are impasto. Superimposing one color on top of the others creating a layering effect.
• Dry brush creates a soft effect.
B. Direct Approach with Lyrical Gesture
• A gesture expressive stroke for a compositional element done alle prima brushstrokes.
• Touch sensitivity. Moments happening in a musical or poetic sequence.
• Taking risks, playing. Painting from inside out. Dots, dashes, code, feelings, movements.
• My dancing brush.
• Memories upon memories.
Up Next in Part III - Painting My Dancing Brush - Direct Approach
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3. Direct Approach Demo 2x Speed Watc...
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4. Direct Approach Brushwork
IMPRESSIONIST BRUSHSTROKES
Broken spaced Brushstrokes are used to communicate two distinct ideas. The first being representational brushstrokes for realistic interpretations and second for expressionistic brushstrokes playing with abstract ideas the later is improvisation the former representatio... -
5. Direct Approach Comments
SCIENCE OR POETRY BEGINNINGS
From the Handout FYI: Impressionism is a dynamic art form because it thrives on contrasting ideas to make it work. They are as follows: the Science of Impressionism presents Simultaneous Contrast, Optical Mixing, and Ariel Perspective. Whereas the Poetry of Impressio...
